My article on CoinDesk this week – Counting Chickens: Can Blockchain Restore Trust in China’s Food Supply?
These essays are taken from the weekly CoinDesk email, which I produce. If you don’t subscribe, you should, they’re kinda fun (even if I say so myself).
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As the price of ether retreats, this is a refreshing take on its outlook.
If you’re tired of the hype surrounding ethereum, you’ll like this article. Bitcoin miner and investor P4man takes a look at the fundamentals and makes some observations about the ether token’s outlook.
- Virtually no traction as a transactional currency (no merchant infrastructure, little evidence it’s used for remittances or similar)
- Due to its complexity, it’s not a good store of value
- It does not offer trust or predictability (vis hard fork)
And then there’s this:
“Despite hearing many claims to the contrary, ethereum with its vastly more complex blockchain, has a much bigger scaling problem than bitcoin, that is yet to be solved, even in theory. Concepts exist to address this problem (“sharding” etc), but those do not exist yet and may not even work.”
Plus, if we accept that a large part of the run-up in the price of ether was due to the demand for tokens with which to participate in ICOs, then for the ICO promoters to use the raised funds, they will have to sell those ether. Which could lead to downward pressure on prices.
Which may be what we’re seeing now. At time of writing, ether is ___% down from its recent high.
However, it looks like the ICO craze is not over yet, so ether could well rebound. I just don’t know when, or by how much (ie. this is not investment advice! – I do not hold ether.)
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A good thread on decentralization:
— pascalb🌐uvier ≠ (@pascalbouvier) June 24, 2017
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Artist Matthias Dörfelt wrote a program which, for each bitcoin block input, outputs a design for a bitcoin bill. As in, a paper currency version of bitcoin.
To top it off, Matthias hand-signs each bill “Satoshi”. Because. And, notice the shadowy figure in the centre of each design.
I spent years teaching my daughter not to ask “why?” when it comes to art. I’m beginning to wonder if maybe she was onto something after all.